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Yea werd...thats why i got like 0 friends :( nobody knows nothin in my school theyre all on gunits nuts.
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every1 at my school hates g-unit so thats why this september is g-unot month every1 comp u a shirt and rock that shit
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Yeah the thing is, when all ya'll say that 50 makes music for white kids trying to be thugs thats bullshit. Cause every nigga in my hood ride around listening to his shit all the time....
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on a track 50 says ''a ill flow with no beat...is incomplete''.....
he's a marketting genius, he knows that if he has the right beat with the right hook, it'll catch the ears of everybody across the world and make him rich, he's the leader of a record label, tell me why he'd go all lyrical and not go double platinum on every album he sells.....and let his label die because of it making no money.... 50 clearly is not about all the lyrical content and punchlines, thats Banks job in G-Unit..... he's a genius, i agree with automatik.....Banks for the ill rhymees and mixtape heads, 50 makes a mill on everythin he touches, buck is one of the most popular southern artists on the 3rd coast, and now he signed mobb deep and m.o.p along with yayo for the new york streets, not to mention california got more luv and respect for 50 than they do the game and the game claims he the ''king of the west''....... |
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... Nuff Said ... |
He did ''dumb down his lyrics'' tho...
Listen too some old school G-Unit and you'll clearly see 50 has a way with words... His punchlines have never been great, but theres plenty of rappers who are ''legends'' who dont throw punch after punch Dre only produces some of 50's shit, Dre has more of an influence on eminem and games career than 50'z.... |
''my flows untouchable, now you gotta face it...uh oh, it gets worse when i go back to the basics''.....
50's flow is fire, he may no throw down punch after punch, but flow wise, nobody can touch him, and along with a dope beat and the best hook writer in the business, thats your reason 50 is one of the biggest sellin artists today.... |
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this is the truth^ |
What ever happened to quality over quantity? Back in 2000, 50 made an apperance on Next's album "Welcome 2 Nextasy" (I think that's what is was titled), in a song called "Jerk". Although the song was about jacking off, 50 delivered the subject with good lyrical content. I played the track for some kids and they said he sucked. In 2002, "Guess Who's Back?" was probably my favorite rap album at the time. It was the album Em heard that made him sign 50 in the first place. I played it for quite a few kids, the majority of whom said he sucked. February 2003 rolls around, and I can't go 10 minutes without hearing a reference to "In Da Club". I obatined Get Rich Or Die Trying, and only a few songs carried over the persona that I loved for the previous 3 years ("Patiently Waiting", "Heat", "High All The Time", and "Blood Hound") Everything else was commercial pop-rap. Everybody who once said he sucked now loved him. Why? Because he sacrificed quality (of lyrics) for quantity (of sales).
And before someone tries to contradict this post with talk of "You Not Like Me" and "Your Life's On The Line"...those were both on Guess Who's Back? originally, and bonus tracks on GRODT. I liked both of those, but they're not really part of the actual album, this "bonus tracks". So don't think I'm hating on them. |
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*runs to downloas these shits..* |
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^ Has a point. I cant think of cool comeback for that one. |
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EXACTLY!!!! word to that shit yo.... |
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