Very informative
But then again this is like class 1 shit for musical engineering
most people behind controls should know this
but your one hell of a guy for typing that all up for everyone

next you should explain to em what dynamic and lds mics are for
and how to tell which type of mic to buy for your voice based on brand/model/and what the mic is made from
ive heard alot of people sound pro on shitty mics
you just gotta know what to get

I'm rocking a Rhiode NTK right now which i copped for 499 awhile back
its definetly an industry standard